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Abstrakt Instruments | Avalon Bassline |
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Description | The avalon bassline is a high quality analog bassline synthesizer and sequencer. The core circuitry of the avalon is based on the revered Roland TB-303 bassline synthesizer, to which a new layer of analog and digital circuitry has been added to position the avalon as the premier bassline synthesizer. • Core analog and digital circuitry based on TB-303 Incorporates layout and parts from the original bassline, including carbon film resistors, united chemi-con electrolytic capacitors, poly foil film capacitors, original IC's, and sanyo/on semi & mitsubishi transistors. • Synth Cartridge System™ Compatible with the cartridge system in the form of filter plugin carts. • Extensive Analog Control In addition to the six analog controls of the original bassline, the avalon includes controls for sub osc/ext input level, filter tracking, accent decay time, vca decay (normal to full off), utility envelope attack & decay time, utility envelope to vfc and vca modulation depths, frequency response select (normal and full range. • Extensive Digital Control In addition to backwards compatibility with the TB-303 pattern write pitch & time modes the avalon incorporates new progamming modes making extensive use of (16) step LED switches. Patterns can be up to 64 steps in length (up to 4 sections x 16 steps) and each pattern can have numerous scales including triplet modes. Real-time editing includes slide time select, utility envelope trigger mode, pattern step skipping, pattern reverse, rotate, random, & shuffle. There is also an arpeggiator that can be performed real-time or recorded directly into a pattern. • MIDI & DIN Sync Sync source can be selected as internal, MIDI, or Din Sync, and the avalon sends both MIDI & Din Sync. • Audio inputs & Outputs Includes main & headphone outputs, saw and square outputs (+/-5V), external input, and filter and vca outputs. • CV Inputs & Outputs Includes cv & gate input and output, filter cv Input, & accent sweep output. |
| Brand | Abstrakt Instruments |
| Model | Avalon Bassline |
| Device | Synth |
| Type | Desktop |
| Engine Type | Analog |
| Engine | VCO |
| Voices (max) | 6 |
| Multitimbral | 6 |
| Oscillators | 1 |
| Sub | 1 |
| LFO | 1 |
| Noise | Y |
| Engine Detailed | 1 VCO |
| Filter (VCF) | 24dB Slope (4-pole), Low Pass |
| Envelope (VCA) | 3x ADSR |
| Memory | 1 |
| Sequencer | 4x 16 step |
| Keys | 13 |
| Key type | Button |
| Velocity | N |
| Aftertouch | N |
| Audio | Stereo out |
| Midi | I-O, USB |
| CV-gate | CV/Gate in |
| Produced: | 2015 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
